"Nowakowski delivered with pure, splendid perfection."
BROAD STREET REVIEW
Praised by Opera News for her “impassioned singing”, Polish-American coloratura soprano Alexandra Nowakowski makes her European debut as the title role in Manon with Ópera de Oviedo to start off her 23/24 season. A passionate ambassador of Polish art song, she brings mixed programs to various venues with Polish pianist Michał Biel, including the Palau de la Música, the Lied Festival Life Victoria, and Carnegie Hall’s Citywide Concert Series. She also joins Francesco Cholbi in recital for the Sociedad de Conciertos de Alicante and Astral Artists for her farewell recital with pianist Luke
Housner. A frequent collaborator with the The Metropolitan Opera, she has covered in multiple in productions, including Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Gilda in Rigoletto, all for the 21/22 season. She returned for the 22/23 season to cover Barbara/Mrs. Latch in The Hours (Puts), Voce dal cielo in Don Carlo, and Sophie in Der Rosenkavalier. For the 22/23 season she was also heard as the soprano soloist in Mozart’s Exsultate jubilate with the Symphony in C as well as with the The Artosphere Festival under the baton of Corrado Rovaris. She also sang the Queen of the Night with the Ópera Popular de Barcelona, was the soprano soloist in Schubert’s Der Hirt auf dem Felsen also with Symphony in C, and sang the soprano soloist in Vaughan Williams’ Serenade to Music at Carnegie Hall with the New England Symphonic Ensemble. Alexandra is supported by the Fundación Ópera Actual.
Housner. A frequent collaborator with the The Metropolitan Opera, she has covered in multiple in productions, including Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Gilda in Rigoletto, all for the 21/22 season. She returned for the 22/23 season to cover Barbara/Mrs. Latch in The Hours (Puts), Voce dal cielo in Don Carlo, and Sophie in Der Rosenkavalier. For the 22/23 season she was also heard as the soprano soloist in Mozart’s Exsultate jubilate with the Symphony in C as well as with the The Artosphere Festival under the baton of Corrado Rovaris. She also sang the Queen of the Night with the Ópera Popular de Barcelona, was the soprano soloist in Schubert’s Der Hirt auf dem Felsen also with Symphony in C, and sang the soprano soloist in Vaughan Williams’ Serenade to Music at Carnegie Hall with the New England Symphonic Ensemble. Alexandra is supported by the Fundación Ópera Actual.
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